Sometimes sculptured dancers need to be scheduled for a costume fitting, too. Glenn Peterson, costume conservator for The Met in New York City, takes us through the history of Edgar Degas’ famous work The Little Fourteen-Year-Old Dancer and the process he went through to give her shabby dressings an uplift.
Tune in to hear the latest performance reviews and featured news about happenings in the ballet industry. Narrated by Editor-in-Chief Cherilyn J. Lee and guest artists, these stories from The Ballet Herald will be your source and entertainment on a relaxed day at home or when you're
