Joamanuel Velázquez Takes His Final Bow This Spring
Soloist Joamanuel Velázquez has announced his retirement after eighteen years with Texas Ballet Theater, bidding farewell to the stage after Giselle.
Soloist Joamanuel Velázquez has announced his retirement after eighteen years with Texas Ballet Theater, bidding farewell to the stage after Giselle.
Les Ballets Trockadero de Monte Carlo is celebrating 50 years, and a ticket to their show at The Joyce is still a prescription for a very good time.
Read moreDetailsEffective August 1, 2026, Ernst Meisner will be the Artistic Director of Dutch National Ballet, succeeding Ted Brandsen who will be retiring.
February 14-23, 2025 - Madison Ballet: Mozart and More features works by Ja’ Malik, Richard Walters, and Stephanie Martinez.
Read moreDetails“Woo!” could be the official sound effect of Youth America Grand Prix and was certainly an exciting part of the...
In reaction to her passing on September 10, 2024, I decided to reread Michaela DePrince's first book, Taking Flight, which...
The story of the ballerina with alzheimer's that has been recognized around the world after the broadcast of a viral video by Música Para Despertar.
Read moreDetailsThe Royal Ballet mixed repertory review featuring Christopher Wheeldon's Corybantic Games, Sir Kenneth MacMillan's Anastasia Act III, and the world premiere of Wayne McGregor's Untitled.
This American Ballet Theatre fall review explores the Classics Old and New program, part of Susan Jaffe’s first curated season as the company's artistic director.
Atlanta Ballet Review: The Nutcracker November 27, 2019 | Kennedy Center - Washington, D.C. The ballet holiday season has officially begun with Atlanta Ballet's The Nutcracker at The Kennedy Center. D.C. audiences are the first outside of Atlanta to see this...
January 24 - February 1, 2025 - San Francisco Ballet: Manon features Sir Kenneth MacMillan's choreography inspired by the novel Manon Lescaut by Abbé Prévost.
Read moreDetailsIt is said that smiles are contagious, yet in the case of Robin Preiss Glasser, this phrase does not do the woman justice.
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