Cinderella

Q: Who composed the music for Cinderella?

The musical score for Cinderella was composed by Sergei Prokofiev in 1940; it wasn’t actually completed, though, for another four years. An interruption was caused by the outbreak of World War II which inspired Prokofiev to write his opera War and Peace . Upon its completion, he returned to his ballet score. (adsbygoogle = window.adsbygoogle || []).push({});

Where can I find a Cinderella performance near me?

Aug 23 – Sep 5

Finland – Helsinki

Finnish National Ballet: Cinderella

Oct 17 – 26

Japan – Tokyo

National Ballet of Japan: Cinderella

Nov 25

Worldwide

The Royal Ballet: Cinderella

Who are the characters in Cinderella?

The roles in the ballet are based on Charles Perrault’s “Cendrillon ou la petite pantoufle de verre”.

(in alphabetical order)

Cinderella: A lonely woman, servant to Stepmother

Fairy Godmother: A magician

Prince: In love with Cinderella

Stepmother: Matriarch of the house

Stepsisters: Daughters of Stepmother

What is the story of Cinderella?

The original choreography for the ballet Cinderella was created by Rostislav Zakharov.

ACT I: Cinderella’s Home

In a land far, far away is a home in which there lives a family – a dominating woman with two spoiled daughters and Cinderella, the kind daughter of the woman’s husband. Stepmother deems Cinderella responsible for the death of her husband, thus directing her anger toward the young woman. She demands that the young girl essentially be her servant, and the stepsisters – jealous of the outcast’s beauty – follow suit.

News has arrived that the Royal Palace is planning a ball during which the Prince will choose his future bride. Overcome with excitement about the prospects of being chosen, the stepsisters order Cinderella to work on their gowns, all the while, the latter dreaming the impossible of herself attending and dancing with the Prince.

Fairy Godmother, appreciative of Cinderella’s kind disposition despite her despicable living conditions, grants her the wish of attending the ball. As a gift, she magically makes glass slippers from house shoes and summons the fairies of Spring, Summer, Autumn, and Winter who convert her rags into a glimmering gown, transform a pumpkin and mice into a carriage of horses, and create footmen from grasshoppers and dragonflies.

As Cinderella scurries to the party, she is reminded by Fairy Godmother that the magic expires at midnight at which time all but the gifted glass slippers will revert back to their original forms.

ACT II: The Spring Ball

Along with the dozens oof other women vying for the Prince’s attention, the stepsisters endeavor to win him over. Their effort – as well as that of the others – is in vain, as the Prince has no desire to marry without love.

His sadness is interrupted by the tardy entrance of Cinderella, who is unrecognizable – even to her own family – due to the magical transformation the fairies have mustered. The Prince is immediately enamored and asks her for a dance, the first of the evening. From this moment, the couple are engrossed in their own happiness and oblivious to what is happening around them.

Amidst the festivities, the clock begins to strike midnight. Cinderella is taken off guard as she has completely lost track of time and in a panic of not wanting her true identity to be discovered, she suddenly flees the party. In her haste, one of her glass slippers falls off her foot; this is the only trace the Prince has of his new love and he vows to find her at no expense.

ACT III: Throughout the World

Upon denial of the local shoemakers that they are the manufacturer of the glass slipper, the Prince decides that his love must be a princess from a foreign land. Thus, he travels the world on a search for the foot that fits the shoe, but ultimately returns home disheartened.

His last resort is to go house to house in his own kingdom, trying the slipper on every young woman who lives there.

Hearing of this announcement, Stepmother and the stepsisters frantically get ready for the Prince’s visit. Of course, the slipper fits neither of the sisters nor their mother, who despite not being in quite the correct age range, forcefully attempts to squeeze her foot in the shoe.

Although the others don’t see the need (as to them she is but a servant), the Prince then asks for Cinderella to try. To everyone but Cinderella’s surprise, she is revealed to be the woman that the Prince danced with at the ball.

(Classical ballets have evolved over time, lending themselves to different interpretations as choreographers and directors create works that reflect their visions of the story. The above is intended to provide general information; for details on different versions, click on each of the performances above.)

Who composed the music for Cinderella?

The musical score for Cinderella was composed by Sergei Prokofiev in 1940; it wasn’t actually completed, though, for another four years. An interruption was caused by the outbreak of World War II which inspired Prokofiev to write his opera War and Peace. Upon its completion, he returned to his ballet score.