Seattle audiences are in for an emotional ride this Spring as they watch beloved Principal Dancer Lesley Rausch grace the McCaw Hall for the last time. Rausch’s 22-year career at Pacific Northwest Ballet comes to an end at the Season Encore Performance on June 11th.
Along with the season closer, Rausch will also be dancing in the company’s upcoming BOUNDLESS, A Midsummer Night’s Dream, and WORLDS TO COME.
“I never imagined 25 years ago, when I attended my first summer course at PNB School, that I would go on to have such a rewarding career with this great company. I knew that I truly loved PNB and feel immensely fortunate that Kent and Francia took a chance on a very flexible, and somewhat uncoordinated, young dancer. I am beyond grateful for all of the love and commitment they put into nurturing the dancer I would become. I am also extraordinarily appreciative to Peter for the countless and diverse opportunities he has gifted me. You have all helped me to fulfill my dreams in ways I never realized were possible.
I am blessed to have parents who encouraged me to pursue my dream of becoming a professional dancer and helped me move to Seattle at the age of 17 to train at PNB School. Thank you to my mom, dad, and sister who have always been there to cheer me on and help pick me up when things were tough.
I have spent my entire adult life at PNB, which has become in some ways my home and family. I have made lifelong friends and most importantly met and married my soulmate. It has been such a gift to share this beautiful career dancing with Bold [former PNB principal Batkhurel Bold], my biggest cheerleader. I look forward to all the years ahead dancing through life together.
To my colleagues past and present, I have the utmost respect and admiration for you and feel blessed by the incredible partnerships I have shared over the years. To my most consistent partner, [PNB physical therapist] Boyd Bender, thank you. I would never have had the longevity or success in my career without your brilliant dedication to your craft and your unwavering care and support.
There are far too many people to thank for all of the contributions they have made to allow me the success that I have had at PNB. To the audience, subscribers, donors, rehearsal directors, school faculty, administration, PR, marketing, costume, wardrobe, production, stage crew and managers, musicians, and everyone else that makes PNB the incredible place that it is, thank you. It has been the pleasure of my life to share my passion with you all.”
Lesley Rausch and Jerome Tisserand in A Midsummer Night's Dream
Highlights of Lesley Rausch's Career
- Studied with Shir Lee Wu at Columbus Youth Ballet
- Studied at Pacific Northwest Ballet School
- Attended summer courses at School of American Ballet, International Dance School at Jackson, Mississippi, and PNB School
- 1998 – Finalist in Concours International de Danse de Paris
- 2001 – Joined PNB as a corps de ballet member
- 2007 – Promoted to Soloist
- 2011 – Promoted to Principal
Lesley has danced leading roles in:
- George Balanchine’s Agon, Apollo, Concerto Barocco, Coppélia, Diamonds, Emeralds, The Four Temperaments, George Balanchine’s The Nutcracker®, La Valse, A Midsummer Night’s Dream, Prodigal Son, Rubies, Serenade, Slaughter on Tenth Avenue, Stravinsky Violin Concerto, and Symphony in C;
- Peter Boal’s Giselle;
- Val Caniparoli’s The Bridge and Lambarena;
- David Dawson’s Empire Noir and A Million Kisses to My Skin;
- Ulysses Dove’s Dancing on the Front Porch of Heaven, Red Angels, Serious Pleasures, and Vespers;
- Nacho Duato’s Jardí Tancat;
- William Forsythe’s Artifact II, In the Middle, Somewhat Elevated, New Suite, and One Flat Thing, reproduced;
- Kiyon Gaines’ ə{SCHWA};
- Paul Gibson’s The Piano Dance and Rush;
- Ronald Hynd’s The Sleeping Beauty;
- Jiri Kylian’s Forgotten Land and Petite Mort;
- Jean-Christophe Maillot’s Cendrillon and Roméo et Juliette;
- Mark Morris’ Pacific;
- Crystal Pite’s Emergence and Plot Point;
- Alexei Ratmansky’s Concerto DSCH, Don Quixote, and Pictures at an Exhibition;
- Jerome Robbins’ Afternoon of a Faun, The Concert, Fancy Free, Glass Pieces, and Other Dances;
- Kent Stowell’s Carmina Burana, Cinderella, Nutcracker, and Swan Lake;
- Twyla Tharp’s Brief Fling, In the Upper Room, Nine Sinatra Songs, Opus 111, and Waterbaby Bagatelles; and
- Christopher Wheeldon’s Polyphonia.
She originated leading roles in Caniparoli’s The Seasons, Kyle Davis’ Las Estrellas, Gaines’ Sum Stravinsky, Edwaard Liang’s The Veil Between Worlds, Benjamin Millepied’s 3 Movements, Susan Stroman’s TAKE FIVE…More or Less, and Price Suddarth’s Signature.
In addition to her performing career, Lesley has been a guest teacher at Ballet Hawaii, Evergreen City Ballet, New American Youth Ballet, and Punahou Dance School. She also is on the faculty of Pacific Northwest Ballet School. Lesley is a Stott Certified Pilates Instructor and a certified instructor in Tai Ji Quan Moving for Better Balance and Madeline Black’s Series One and Two.
Reviews Featuring Lesley Rausch
Pacific Northwest Ballet Giselle Review: A Vintage Ballet Revisited
In Peter Boal's staging for Pacific Northwest Ballet Giselle is a refurbished version, tweaked here and there to fit the...
Read morePacific Northwest Ballet Rep 1 Review: Hope and Heart in New Ratmansky Work
Pacific Northwest Ballet Rep 1 review of the opening program of the company's 50th season featuring Allegro Brillante, Wartime Elegy,...
Read morePacific Northwest Ballet’s Swan Lake Review: A Classic Interpretation and a Shining Swan Queen
Pacific Northwest Ballet's Swan Lake, choreographed by Kent Stowell - remains committed to the classic interpretation with mild alterations.
Read morePacific Northwest Ballet Review: Pushing Beyond Ballet’s Boundaries
The second program of the season, Beyond Ballet features works by Ulysses Dove, Jessica Lang, and Alonzo King.
Read moreFeatured Photo of Pacific Northwest Ballet principal dancer Lesley Rausch with former principal dancer Batkhurel Bold in Kent Stowell’s Swan Lake. Photo © Angela Sterling.