Ballet Magazine

MULAN does more than revisit a familiar heroine: it bridges greater cross-cultural understanding, invites Western audiences into a different culture framework, and presents a sense of shared beauty in humanity.

Myths and Modern Masters was an intriguing production that delivered, whisking us on a journey across styles, time frames, and choreographers.

What began as a conversation with Sklyar Brandt about discipline and artistry ended with an invitation, a chance to watch two world class artists celebrate life’s ultimate partnership together.

At the end of the Tulsa Ballet 2026-2027 season, Artistic Director Marcello Angelini will retire after more than 30 years of leadership.

American Ballet Theatre Swan Lake Review: Within choreography audiences know almost by heart, the dancers created moments that felt unique, intimate, and quietly surprising.

La Scala Theatre Ballet Don Quixote Review: The dancers successfully combined intricate footwork, powerful jumps, theatricality and sustained characterization, all while making the result appear “fun”.

ABT Sylvia Review: The ballet's chief pleasure arises from the conversation between music, movement, and character that, in this performance, remained eloquent throughout.

Tiffany Rea-Fisher, Artistic Director of NYC-based EMERGE125, embraces change, challenge, and her insatiable curiosity to keep her eyes open to creative possibilities.

In Trips, every piece organically flowed into the next in a journey that highlights Pilobolus' distinctive physical vocabulary and its highly specialized small ensemble.

Despite having already achieved countless accomplishments as an internationally-acclaimed artist and leader, Carlos Acosta continues to make debuts on and and off the stage.