Ballet Magazine

BalletX The Four Seasons Reimagined Review: The dancers echo Dan Deacon's score which moves like weather - sometimes driving, sometimes just hanging in the air.

Scottish Ballet Mary Queen of Scots Review: Through strong collaboration, imaginative choreographies and inclusive casting, Sophie Laplane and James Bonas reframe a familiar biography.

MorDance Unwritten Review: In a work that imagines the U.S. Constitution as a living, breathing document, the company proves they can move beyond the walls of a theater.

Philadelphia Ballet Romeo and Juliet Review: This production understands that Shakespeare's tragedy does not survive on romance alone.

At the end of the Ballet West 2026-2027 season, Artistic Director Adam Sklute - the longest-ever to hold the position - will part ways with the company after 20 years at the helm.

Miami City Ballet ¡Vamos! To the Beach Review: The dancers were the saving grace in a lineup that felt weaker than its promised unforgettable season finale.

Pacific Northwest Ballet Giselle Review: The company's production was both well-danced and characterful, a welcome reminder of what its artists can do.

Birmingham Royal Ballet Don Quixote Review: From the corps up through the ranks, the dancers contain an essence that makes this rendition sing.

As Director of the School of Philadelphia Ballet, Davit Karapetyan is focused on creating a structure of continuity for his students as the organization moves on to a new chapter.

In Philadelphia Ballet's studio, it becomes clear. We do need another Romeo and Juliet, and now it is Juliano Nunes’ turn.