Ballet Magazine

Something can be great, grande, sublime even, and be deficient at the same time. Without constructive conversation, dancers will be the ones who suffer in the long run.

MULAN does more than revisit a familiar heroine: it bridges greater cross-cultural understanding, invites Western audiences into a different culture framework, and presents a sense of shared beauty in humanity.

Myths and Modern Masters was an intriguing production that delivered, whisking us on a journey across styles, time frames, and choreographers.

What began as a conversation with Sklyar Brandt about discipline and artistry ended with an invitation, a chance to watch two world class artists celebrate life’s ultimate partnership together.

At the end of the Tulsa Ballet 2026-2027 season, Artistic Director Marcello Angelini will retire after more than 30 years of leadership.

American Ballet Theatre Swan Lake Review: Within choreography audiences know almost by heart, the dancers created moments that felt unique, intimate, and quietly surprising.

La Scala Theatre Ballet Don Quixote Review: The dancers successfully combined intricate footwork, powerful jumps, theatricality and sustained characterization, all while making the result appear “fun”.

ABT Sylvia Review: The ballet's chief pleasure arises from the conversation between music, movement, and character that, in this performance, remained eloquent throughout.

Tiffany Rea-Fisher, Artistic Director of NYC-based EMERGE125, embraces change, challenge, and her insatiable curiosity to keep her eyes open to creative possibilities.

In Trips, every piece organically flowed into the next in a journey that highlights Pilobolus' distinctive physical vocabulary and its highly specialized small ensemble.