Ballet Magazine

At the end of the Ballet West 2026-2027 season, Artistic Director Adam Sklute - the longest-ever to hold the position - will part ways with the company after 20 years at the helm.

Miami City Ballet ¡Vamos! To the Beach Review: The dancers were the saving grace in a lineup that felt weaker than its promised unforgettable season finale.

Pacific Northwest Ballet Giselle Review: The company's production was both well-danced and characterful, a welcome reminder of what its artists can do.

Birmingham Royal Ballet Don Quixote Review: From the corps up through the ranks, the dancers contain an essence that makes this rendition sing.

As Director of the School of Philadelphia Ballet, Davit Karapetyan is focused on creating a structure of continuity for his students as the organization moves on to a new chapter.

In Philadelphia Ballet's studio, it becomes clear. We do need another Romeo and Juliet, and now it is Juliano Nunes’ turn.

Francis Patrelle, who devoted his life to telling stories through ballet, is honored in an in memoriam program assembled with affection.

Pacific Northwest Ballet Firebird Review: PNB's spring program is a multi-faceted triple bill featuring three pieces of entirely different looks and sounds.

BalletX Spring Series Review: In this retrospective of the company's co-founder, the company feels connected to something larger. The community. The audience. The City of Philadelphia.

L.A. Dance Project Romeo & Juliet Suite Review: At its creative height, the suite is an adventurous, immersive experiment, but too many motivational elements were eliminated.