Ballet Magazine

ABT Sylvia Review: The ballet's chief pleasure arises from the conversation between music, movement, and character that, in this performance, remained eloquent throughout.

Tiffany Rea-Fisher, Artistic Director of NYC-based EMERGE125, embraces change, challenge, and her insatiable curiosity to keep her eyes open to creative possibilities.

In Trips, every piece organically flowed into the next in a journey that highlights Pilobolus' distinctive physical vocabulary and its highly specialized small ensemble.

Despite having already achieved countless accomplishments as an internationally-acclaimed artist and leader, Carlos Acosta continues to make debuts on and and off the stage.

At the Sir Peter Wright Centenary gala, the company celebrated its Founding Director with excerpts from his iconic classical ballets and a special performance of The Green Table.

Wheeldon's Alice's Adventures in Wonderland moves fluidly between Victorian England, the illogical, and the modern world from which Alice’s dream emerges.

BalletX The Four Seasons Reimagined Review: The dancers echo Dan Deacon's score which moves like weather - sometimes driving, sometimes just hanging in the air.

Scottish Ballet Mary Queen of Scots Review: Through strong collaboration, imaginative choreographies and inclusive casting, Sophie Laplane and James Bonas reframe a familiar biography.

MorDance Unwritten Review: In a work that imagines the U.S. Constitution as a living, breathing document, the company proves they can move beyond the walls of a theater.

Philadelphia Ballet Romeo and Juliet Review: This production understands that Shakespeare's tragedy does not survive on romance alone.