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The Ballet Herald®
Home Ballet Magazine The Latest Ballet News

Mikko Nissinen’s The Nutcracker Returns to the Stage

Ballet Herald News DeskbyBallet Herald News Desk
October 8, 2021 - Updated on December 27, 2022
in The Latest Ballet News
Reading Time: 2 mins read
A A
Mikko Nissinen's The Nutcracker

Mikko Nissinen's The Nutcracker

Boston’s Citizens Bank Opera House welcomes the return of the city’s professional ballet company with Mikko Nissinen’s The Nutcracker at the end of November.

The month long run of this holiday classic also marks the return of Boston Ballet to live, in-person performances since March 2020. The production features sets and costumes by award-winning designer Robert Perdziola and is accompanied by Boston Ballet Orchestra led by Boston Ballet Music Director Mischa Santora. The theatre will be filled with the joy of Tchaikovsky’s timeless score. 

“It is exciting to announce the triumphant return of live Boston Ballet performances. I can’t imagine a better way to bring live dance back than with the beloved production of The Nutcracker."
Mikko Nissinen
Mikko Nissinen
Artistic Director of Boston Ballet
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Mikko Nissinen's The Nutcracker Trailer

Mikko Nissinen’s The Nutcracker is based on the libretto by Alexandre Dumas père titled The Tale of the Nutcracker, which is adapted from E. T. A. Hoffmann’s story The Nutcracker and the Mouse King.

The story follows the wondrous journey of young Clara, who receives a nutcracker as a gift at her family’s Christmas Eve party. Later that night, her nutcracker is magically revealed as a handsome prince, who leads her through an enchanted forest and on to the Nutcracker Prince’s Kingdom.

Boston Ballet Performances ⤞

Featured Photo for Mikko Nissinen’s The Nutcracker of Ji Young Chae and Tigran Mkrtchyan; photo by Liza Voll; courtesy of Boston Ballet.

Tags: Boston BalletCitizens Bank Opera HouseMikko NissinenThe Nutcracker
Ballet Herald News Desk

Ballet Herald News Desk

This article is derived from a press release or other reliable information provided by the cited source above. Opinions expressed are not of The Ballet Herald.

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