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The Ballet Herald®
Home Ballet Magazine Ballet, Contemporary, and Modern Dance Performance Reviews

Ballet Arizona Review: Inspiring Glimpses of the Past, Present, and Future

Cherilyn J. LeebyCherilyn J. Lee
November 8, 2020 - Updated on May 23, 2024
in Ballet, Contemporary, and Modern Dance Performance Reviews
Reading Time: 4 mins read
A A
Ballet Arizona Review - Inspire

Ballet Arizona Review - Inspire

Ballet Arizona Review: Inspire
November 7, 2020 | Digital

Filmed in the company’s on-site Dorrance Theatre, Ballet Arizona’s Inspire program fulfills the promise that its title bears.

It is not only an exhibit of his company’s technical and theatrical range from classical to contemporary that Artistic Director Ib Andersen has curated but also an intimate digital environment in which we hear directly from him and the dancers. They speak with an eloquence, elegance, and effervescence when sharing historical tidbits, creative impetuses, or what their favorite junk foods are.

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Ballet Arizona - Pas de Sept
Ballet Arizona Artists in August Bournonville’s Pas de Sept © Tzu Chia Huang

“Inspire” very fittingly begins and ends with works that the Ballet Arizona’s director is familiar with, the first an homage to his professional roots and the closer a snapshot of the company’s present and future.

Pas de Sept from A Folk Tale was choreographed by August Bournonville in 1854 for Royal Danish Ballet, Andersen’s alma mater at which he became the youngest principal ballet dancer in the company’s history at the age of 20. In true Bournonville fashion, Pas de Sept engages the audience with lightening speed petit allegro and beautiful épaulement.

For those familiar with the Pas de Six from Napoli, this excerpt for seven dancers follows a similar rhythm and mold with a series of evolving solos, duets, and group dances. Particularly stand out are Rochelle Anvik and Ricardo Santos; the former for her ease, precision, and stylistic interpretation, the latter for accomplishing the challenging technical demands all the while maintaining his charming presence.

Ballet Arizona - Goldberg Variations I
Ballet Arizona's Jillian Barrell & Nayon Iovino in Ib Andersen’s Goldberg Variations I © Tzu Chia Huang
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American ballet audiences are likely to have become familiar with Andersen when he joined the New York City Ballet in 1980. The Balanchine influences of the decade he spent dancing there are apparent in his new work for Ballet Arizona, Goldberg Variations I.

The casting of the piece was not only determined by physical distancing restrictions due to coronavirus, but also the personal milestones of his dancers.

Real life couple Jillian Barrell and Nayon Iovino are expecting a child soon and Andersen chooses to incorporate Barrell’s five-month pregnancy into Goldberg, a kind of prelude to the rest of the piece. It’s a bit reminiscent of the birth prologue in Balanchine’s Apollo.

In fact, the couple’s tender duet in royal blue costumes gives way to nine more celebratory movements with dancers dressed in all white, marking a clear stylistic and visual distinction. The choreographer’s goal is to convey the life and joy of dance and this is achieved successfully with playful interaction, intricate footwork, and lofty jumps. It is in this ballet that we get to see the company working as a whole; their unified energy is contagious.

Ballet Arizona - Goldberg Variations I
Ballet Arizona's Erick Garnica & Alberto Pañalver in Ib Andersen’s Goldberg Variations I © Tzu Chia Huang

Sandwiched between the tutus, skirts, poetic shirts, and white tights are two contemporary works. Iovino’s pas de deux from his 2014 Inner Layer is an exploration of reconciliation and forgiveness in which we see Anvik trade pointe shoes for socks in a passionate and visceral conversation with her partner, Ethan Price.

Alejandro Cerrudos’s Pacopepepluto puts the spotlight on three of Ballet Arizona’s fine male dancers – Iovino, Helio Lima, and Alejandro Mendez. Clothed in mere tight, flesh-toned shorts each of the three men command their solos set to Dean Martin’s “Memories Are Made Of This”, “In The Chapel In The Moonlight” and “That’s Amore”, respectively, fusing raw physicality, sinuous expressivity, and timely humor.

Ballet Arizona - Inner Layer
Ballet Arizona's Rochelle Anvik and Ethan Price in Nayon Iovino’s Inner Layer © Tzu Chia Huang

Ballet Arizona’s Inspire program is only available to stream for the 24 hours beginning November 7 @ 7:00pm MST, so there’s a small window of time for you to still catch it. For more information about the program, check out the calendar below.

Regardless, you can also look forward to seeing the company’s The Nutcracker Suite in December, this year’s holiday production.

Ballet Arizona Performances ⤞

Featured Photo for Ballet Arizona Review: Inspiring Glimpses of the Past, Present, and Future of Ballet Arizona Artist in Alejandro Cerrudo’s Pacopepepluto © Tzu Chia Huang

Tags: Ballet ArizonaVirtual
Cherilyn J. Lee

Cherilyn J. Lee

Cherilyn's lifelong passion for ballet has opened the door to the next chapter of her journey. Her strong foundation includes training at the School of American Ballet, being a featured dancer with Hartford Ballet and Carolina Ballet, and being co-director/owner of City Ballet Raleigh. She was granted the Affiliate Teacher Award after successfully completing the ABT National Training Curriculum®. A professional career in the industry along with extensive global travel provide her with a unique set of experiences to draw upon as a journalist and audience member. Cherilyn is excited to be sharing her insight and news about ballet around the world.

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