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Home Ballet Magazine The Latest Ballet News

Dallas Opera Orchestra Joins Texas Ballet Theater for Dracula

Ballet Herald News DeskbyBallet Herald News Desk
August 7, 2023 - Updated on October 23, 2023
in The Latest Ballet News
Reading Time: 2 mins read
A A
Dallas Opera Orchestra Joins Texas Ballet Theater for Dracula

Dallas Opera Orchestra Joins Texas Ballet Theater for Dracula

Thanks to a generous gift by an anonymous donor, Texas Ballet Theater’s Dallas performances of Dracula will be accompanied by the Dallas Opera Orchestra. Former Artistic Director Ben Stevenson’s choreography will be performed to live music at the AT&T Performing Arts Center Margot and Bill Winspear Opera House from September 15-17, 2023.

“As the Artistic Director of Texas Ballet Theater, I am delighted to announce our collaboration with the Dallas Opera Orchestra for 'Dracula' in Dallas. This remarkable partnership combines the artistry of exceptional dancers with live orchestration, promising an enchanting experience for the audience. Additionally, I am excited to welcome back Michael Moricz as our guest conductor, and I look forward to the artistic synergy that he brings to this production.”
Tim O’Keefe
Tim O'Keefe
Artistic Director of Texas Ballet Theater
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Tickets for Texas Ballet Theater's Dracula w/ Dallas Opera Orchestra ⤞

Ian Derrer, The Kern Wildenthal General Director and CEO of The Dallas Opera, added,

“We are thrilled to partner with Texas Ballet Theater for their production of Dracula in Dallas. This natural and proven collaboration of renowned choreography with live orchestral accompaniment will greatly enhance the audience experience. We look forward to sharing the power of the performing arts and enriching the cultural landscape of North Texas.”

Featured Photo of Alexandra F. Light and and Carl Coomer in Dracula. Photo by Steven Visneau.

Tags: Ben StevensonDraculaTexas Ballet TheaterTim O’Keefe
Ballet Herald News Desk

Ballet Herald News Desk

This article is derived from a press release or other reliable information provided by the cited source above. Opinions expressed are not of The Ballet Herald.

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