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Home Ballet Magazine On This Day in Ballet History

Marie Taglioni: The First Sylph

Kendall TerashimaCherilyn J. LeebyKendall TerashimaandCherilyn J. Lee
April 23, 2021 - Updated on July 23, 2024
in On This Day in Ballet History
Reading Time: 3 mins read
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Marie Taglioni - The First Sylph

Marie Taglioni: The First Sylph

Marie Taglioni, credited with being the first pointe dancer, was born on April 23, 1804. Taglioni is best known for her starring role in La Sylphide, a role developed specifically for her by her father, the famous choreographer Filippo Taglioni.

Marie’s life was one of incredible stardom, single handedly sparking “The Cult of The Ballerina” and helping develop ballet’s romantic era. Her fame has lived on centuries later and will be in history books as long as ballet exists.

 

 

Table of Contents

Toggle
  • The Early Life & Training of Marie Taglioni
  • Marie Taglioni's Career
  • The Personal Life of Marie Taglioni
    • Sources

The Early Life & Training of Marie Taglioni

Marie Taglioni was born to a family of dancers in Stockholm, Sweden. Her father danced with the Paris Opera Ballet and moved to Sweden to become the ballet master of the Royal Swedish Ballet. It was in Sweden that Filippo married Sophie Karsten, a principal of the same company. Together they had two children, Paul and Marie, who would go on to become famous dancers themselves.

Marie started her dance lessons at a young age, but was dismissed by her teacher at six years old due to her hunchback. Her teacher was credited with wondering if “the little hunchback” would ever be able to dance. Her father took on the responsibility of teaching Marie and was extremely strict, teaching her six hours a day.

Marie’s debut was not until 1822 in Vienna, when she was 18. It was in the ballet La Reception d’une jeune nymphe a la tour de Terpsichore, which was choreographed by her father. The dancer who would grow to be her biggest rival, Fanny Elssler, danced in the corps de ballet in this performance.

By 23, Marie had signed a contract with the Paris Opera Ballet, where she would perform for the next ten years.

Marie Taglioni’s Career

Marie Taglioni is best known for her title role in La Sylphide, first performed in Paris in 1832 and the first ballet to be fully en pointe. Before La Sylphide, pointe work had been an acrobatic trick that was not very graceful or elegant. The ballet depicts Marie as a sylph, a spirit unattainable to humans. The tea-length romantic tutu Marie wore became the trademark of the romantic era of ballet.

Marie’s rivalry with Elssler reached the height of its tension when the latter was offered a contract with the Paris Opera, where Marie also worked, in 1834. Elssler accepted, but after a failed attempt at Taglioni’s leading role in La Sylphide, she moved to the US and distanced herself from Taglioni completely.

Marie left the Paris Opera after signing a contract in 1837 with the Mariinsky Theatre where she would remain for another five years.

Over a decade after La Sylphide, in 1845, French choreographer Jules Perrot put together the most famous ballerinas of the time for a special piece designed for Queen Victoria titled Pas de quatre; Marie Taglioni, Carlotta Grisi, Fanny Cerrito and Lucile Grahn performed the piece and it immediately took off (Elssler was part of the original cast, but declined and was replaced by Lucile Grahn). The piece showcased each of their individual talents and strengths to impress the Queen and the public.

Marie retired in 1847 but continued to work because her fortune was spent by her father and ex-husband. She became Dance Inspector at the Paris Opera Ballet in 1858.

Two years later, she debuted her only choreographic work, Le Papillon, made for her student Emma Livry. Unfortunately, Livry died on stage during a performance of Le Papillon only three years later after her costume caught fire.

 

 

The Personal Life of Marie Taglioni

Marie was married briefly to Count Gelbeit de Voisins. The two were married in 1834, and although Marie had two children around this time, it is not certain that they belonged to de Voisins. However, both children received the last name of her husband. They were divorced one to three years later. It is unclear who raised her children or what became of them.

Marie was undoubtedly the most famous ballerina of her – and perhaps, all – time. She had dolls made of her, merchandise bearing her name, hairstyles and cakes named for her, and in one very strange and notable instance, a pair of her pointe shoes were bought, prepared, and eaten by a group of fans.

In 1884, the day before her 80th birthday, Marie Taglioni died.

 

 


Sources

  • Margaret Rolfe’s Memoirs of Marie Taglioni
  • Marie Taglioni Pandect
  • Stuff You Missed In History Class
  • V&A Museum

Featured Photo of Marie Taglioni compiled from Wikimedia Commons

Tags: La SylphideMarie TaglioniParis Opera BalletRoyal Swedish Ballet
Kendall Terashima

Kendall Terashima

Kendall grew up in Raleigh, NC where she studied ballet, modern, and jazz under the direction of Sandra Zellinger, Cherilyn Joy Lee, and Andrew Lamar. She has performed with Carolina Ballet in The Nutcracker, Cinderella, and The Little Mermaid on various occasions. In 2016 and 2017, Kendall taught alongside Willie Hinton at the Carolina Ballet Summer Intensive. After acceptance into the Joffrey school at age 10, she decided to stay in North Carolina to complete a study of the Cecchetti Method with Rosina DeVries. She has completed grades I-VI, scoring Highly Commended or Commended on all levels. She is now working toward undergraduate degrees in Advertising and Public Relations as well as a minor in dance at Appalachian State University while in her third year of teaching at a local studio.

Cherilyn J. Lee

Cherilyn J. Lee

Cherilyn's lifelong passion for ballet has opened the door to the next chapter of her journey. Her strong foundation includes training at the School of American Ballet, being a featured dancer with Hartford Ballet and Carolina Ballet, and being co-director/owner of City Ballet Raleigh. She was granted the Affiliate Teacher Award after successfully completing the ABT National Training Curriculum®. A professional career in the industry along with extensive global travel provide her with a unique set of experiences to draw upon as a journalist and audience member. Cherilyn is excited to be sharing her insight and news about ballet around the world.

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