Ballet Magazine

From its opening, The Sky Was on Fire establishes a striking dichotomy existing in uneasy tandem that blurs the once-distinct lines between wartime narrative and performance art.

Presented at Somerset House in London, Infinite Bodies celebrates three decades of the polymath practice of visionary choreographer, Sir Wayne McGregor CBE.

World Ballet Day 2025 returns on November 12 with the theme "Access Becomes Art", showcasing the daily going-ons of ballet companies in the studio and beyond.

As curator of Turn It Out With Tiler Peck & Friends - and together with her stellar retinue - Peck puts on a show that not only inspires but also proclaims how she is setting a new standard in the...

The AGMA Artists at New York City Ballet bring further light to what led to their boycott of the Fall Fashion Gala and what they're actually fighting for.

Philadelphia Ballet Carmen and Boléro Review: This double bill requires full-bodied expression and unrestrained control – only a company willing to commit fully can execute it successfully.

The NY Philharmonic, conducted by Esa-Pekka Salonen, and Benjamin Millepied's L.A. Dance Project invited the audience to reconsider space, observe relationships, and contemplate music as conversation.

What made Jewels such a splendid season opener was the way it tested Pacific Northwest Ballet’s range, proving their broad aptitude and making a strong case for the ballet’s continued presentation.

Paris Opera Ballet Red Carpet Review: Even the world’s best isn’t immune to overpromising and underdelivering.

Stuttgart Ballet Onegin Review: The dancers reminded Washington audiences of what ballet can do when it holds both classical tradition and dramatic poignancy.