ABT Studio Company 2024 Fall Tour
The ABT Studio Company 2024 fall tour kicks off in November, featuring excerpts of the most well-known classical ballets to neoclassical and more contemporary pieces.
The ABT Studio Company 2024 fall tour kicks off in November, featuring excerpts of the most well-known classical ballets to neoclassical and more contemporary pieces.
Principal Dancer with The National Ballet of Canada Jurgita Dronina will take her final bow at the end of this season after a decade with the Toronto based company.
Read moreFrom March to August 2024, The Joyce Theater’s Spring/Summer ‘24 Season features renowned U.S. and international companies covering the broad scope of the dance industry.
October 24 - November 3, 2024 - Boston Ballet: Fall Experience 2024 features works by Crystal Pite, Lia Cirio, Sabrina Matthews, and Jorma Elo.
Read moreUPDATED! Gargouillade Gate is a journey of humility, humor, and international camaraderie between ABT's Connor Holloway and DNB's Daniel Montero...
Peter Boal's Illusions of Camelot feels like a tell-all, a reveal, a cathartic confession of sorts. As if a contemplative...
The story of the ballerina with alzheimer's that has been recognized around the world after the broadcast of a viral video by Música Para Despertar.
Read moreCompañía Nacional de Danza Review: Yet Another Reason to Love Madrid mentions works by Balanchine, Ratmansky, and Duato.
George Balanchine's full-length ballet of Emeralds, Rubies, and Diamonds highlights this San Francisco Ballet Jewels Review.
American Contemporary Ballet’s The Rite, a premiere by director Lincoln Jones, exemplifies the company's reputation for being brazen, unconventional, and willing to take risks.
September 12-29, 2024 - Carolina Ballet: Scotch Symphony & Creatures of Prometheus features works by George Balanchine, Zalman Raffael, and Ted Seymour.
Read moreWeeks before operations ceased due to Covid-19, Gavin Hounslow voluntarily went into his own sort of quarantine only to discover why he needed to return to the studio.
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