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The Ballet Herald®
Home Ballet Magazine The Latest Ballet News

The Sarasota Ballet Returns with New World

Ballet Herald News DeskbyBallet Herald News Desk
October 7, 2021 - Updated on December 27, 2022
in The Latest Ballet News
Reading Time: 3 mins read
A A
The Sarasota Ballet Returns with New World

The Sarasota Ballet Returns with New World

After nearly 22 months, The Sarasota Ballet returns to live theater performances at the end of October with their program titled New World.

The double-bill features a modern classic – Martha Graham’s Appalachian Spring – along with the world premiere of company principal Ricardo Graziano’s Sonatina. This marks the first new work Graziano has created for The Sarasota Ballet since 2019 when his Amorosa was presented on the stage.

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“It brings me joy beyond measure to see our Company perform to a live audience again after such an extensive hiatus. For me, New World expresses so much of how we as a Company feel about our return to the theater. You have the hope for a new future that comes from the pioneer era so perfectly brought to life by the legendary Martha Graham, and you have the excitement that comes from a world premiere through Ricardo’s Sonatina.”
Iain Webb
Iain Webb
Artistic Director of Th Sarasota Ballet

Martha Graham’s Appalachian Spring began to take form when Graham commissioned Aaron Copland, having recently gained acclaim for his score for Agnes de Mille’s Rodeo, to create a ballet with “an American theme”; the result was a fourteen-movement work for a thirteen-instrument accompaniment, based heavily around traditional Shaker themes.

Appalachian Spring premiered in 1944 at the Library of Congress in Washington D.C., with Graham dancing the lead role in the inaugural performance, on a striking yet sparse set designed by frequent Graham collaborator Isamu Noguchi.

The ballet weaves a narrative of four core characters—a young pioneer husband and bride, a Preacher leading his Worshippers, and a reserved Pioneer Woman—experiencing the hardships of settler life and conflicting forces of love and spirituality. Met with significant success for both choreographer and composer, Appalachian Spring would become one of Graham’s most celebrated creations.

Joseph Volpe, Executive Director of The Sarasota Ballet, adds:

“Appalachian Spring has long stood as a shining gem of both modern dance and the spirit of Americana. We continue to be the only professional ballet company to include this iconic work in the repertoire, and I know that the dancers have been eager to perform it ever since its 2018 Company premiere. Meanwhile, it is fantastic to see Ricardo choreographing once again in the studio as he prepares for the premiere of his new work, Sonatina.”

Returning to a more classical style for the first time in five years, Graziano was commissioned by Webb to create a new work that would not only welcome audiences back into the theater, but also enable the dancers to return in full force to the stage.

Choreographed to Antonín Dvořák’s Violin Sonatina in G Major, Op. 100, Sonatina in part incorporates movements and elements inspired by the works of Sir Frederick Ashton – a natural influence considering the number of Ashton’s ballets Graziano has danced in during his career thus far with The Sarasota Ballet.

Costumes designed by Jerry Wolf and lighting by Aaron Muhl round out the visual elements of this season opening world premiere.

The Sarasota Ballet Returns to Live Theater Performances

New World Performance Information

October 22-24, 2021 @ FSU Center for the Performing Arts

October 22, 2021 at 7:30 PM
October 23, 2021 at 2:00 PM & 7:30 PM 
October 24, 2021 at 2:00 PM & 7:30 PM

Appalachian Spring by Martha Graham
Music by Aaron Copland

Sonatina by Ricardo Graziano
Music by Antonín Dvořák

The Sarasota Ballet Performances ⤞

Featured Photo for The Sarasota Ballet Returns with New World of Ricki Bertoni in Martha Graham’s Appalachian Spring. Photography by Frank Atura

Tags: Iain WebbSarasota Ballet
Ballet Herald News Desk

Ballet Herald News Desk

This article is derived from a press release or other reliable information provided by the cited source above. Opinions expressed are not of The Ballet Herald.

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